Originally, there were only two screenings programmed into the festival’s schedule. But early Thursday afternoon, TIFF announced via Twitter that a third screening had been added. And knowing a bit about the story beforehand, it was an opportunity that I just couldn’t turn down.
The back-story – about the discovery of Vivian Maier‘s skillful work as an amateur street photographer – received quite a bit of press in 2010 and 2011, thanks to efforts by individuals to get her photographs the recognition they felt she was due. In fact, there are several Web sites that showcase and sell some of her work.
This particular documentary portrays the journey from John Maloof’s perspective, when he first discovered a portion of Maier’s negatives at a 2007 auction (two years before Maier’s death), which was followed by Maloof’s efforts (as portrayed in the film) to find out more about the woman behind the lens.
What Maier – a pack-rat, as it turns out – left behind is, admittedly, astounding, and (according to the film) this is what Maloof uses to piece her life together. We do get to find out a bit of what she looked and sounded like. We learn a bit about her life working as a nanny, through interviews with some of her former charges and employers, and get fleeting glimpses into the existence of Vivian the woman – for better and for worse.
But Maier – whose story is supposed to be the focus of the film – is slightly overshadowed by Maloof’s presence, and his near-obsessive quest to find out about her life.
Initially – because I love a good story – my reaction to the documentary was overwhelmingly positive.
But, in sharing thoughts with Renée following the movie, it seems a number of questions were left unanswered. But I won’t go into those questions here. I’ll leave you to watch for yourself. (Renée will likely be sharing her thoughts in the days ahead, so you can visit her blog then.)
But what we know now about a life that had, up until 6 or so years ago, existed in obscurity, has proven intriguing. And now that the film has been released, it’s going to be interesting to see what discussions develop about Maier and her work.